Enjoy the Film :)
Friday, 27 April 2012
Evaluation 7: Looking back at your preliminary task, what do you feel you have learnt in the progression from it to the full product?
I feel that we have definitely come along way since our 30 second prelim task in a few months. Our targets were met from our prelim to our Opening Sequence, we filmed more efficiently, we planned everything down to the last tee and the editing was slicker.
Our prelim was filmed in the lifestyle bar in college, somewhere we did not have control over the light. The opening sequence of Renegade was a lot harder to do this as they were filmed in the dark. We wanted our opening sequence to be more adventurous than our short prelim and the lighting really helped create that tense mood and atmosphere.
During the prelim we used basic camera techniques which were: shot reverse shot, match-on-action shots and the180 degree rule.We took the skills we learned the prelim task and recreated them within our opening sequence to make it look as professional as possible. We were more adventurous with the camera and used a variety of shots and angles in the sequence.
The continuity of our film did suffer slightly as it was hard for the actors to stay in the same position for a while and the movements that had to be re-shot were not matching the previous action. The prelim made us realise that we shouldn't make the same mistakes twice. I feel me and my group have made great progress in completing Renegade as we got to explore more technological ideas and bring our pitch to life.
Evaluation 6: What have you learnt about technologies from the process of constructing this product?
Technologies used throughout our project.
When filming the opening sequence we used two different types of camera. The camera in the TV Studio, a Canon XF 305, was used for the interior shots. It was easy to use as it was a HD and we could control the shot from the remote on the tripod. The second camera was a handheld video camera which we used to film the exterior shots, which came with a tripod to allow control of the filming. After finishing shooting we transferred the footage to the computer in the editing suite to begin the editing process.
The editing software we used was called Adobe Premier Pro. As I am only an AS student, and had not done GCSE Media, the editing was a completely new experience for me. Upon ordering the opening sequence, we experimented around with effects, to enhance the footage and make the camera changes as less obvious as possible. After editing the footage itself we added sound, non diegetic music, and louden the gun clicks, car doors, etc.
Evaluation 5: How did you attract/address your audience?
Below is a series of screenshots which could be used to attract an audience interested in crime/spy films.
The wheel of the car is shown here to address the audience and hint at them that there may be a car chase or something involving a flash car. |
The image of the gun also highlights the crime drama and will intrigue the audience. |
Another shot of the car, this time at an accelerating rate, could be used to attract an audience as the image shows the action/adventure the film has to offer. |
Evaluation 4: Who would be the audience for your media product?
Personal Profile: Jack Riley
Name: Jack Riley
Age: 18
Location: Manchester University
Likes/Dislikes/Hobbies: Football, Going Out, Being with friends
Films they like: James Bond, Bourne Series, Oceans Series, Charlie's Angels.
What TV Shows they watch: CSI, Torchwood
What Music they listen to: The Script, The Kooks
Why would 'Renegade' appeal to them?
Our film appeals to a wide audience as it is not just typical of one genre. Jack is a person who associates himself mainly with the crime/spy genre so would make him an ideal viewer. He also enjoys Charlie's Angels so Renegade may appeal to him as it is of similar context and characterisation.
Name: Jack Riley
Age: 18
Location: Manchester University
Likes/Dislikes/Hobbies: Football, Going Out, Being with friends
Films they like: James Bond, Bourne Series, Oceans Series, Charlie's Angels.
What TV Shows they watch: CSI, Torchwood
What Music they listen to: The Script, The Kooks
Why would 'Renegade' appeal to them?
Our film appeals to a wide audience as it is not just typical of one genre. Jack is a person who associates himself mainly with the crime/spy genre so would make him an ideal viewer. He also enjoys Charlie's Angels so Renegade may appeal to him as it is of similar context and characterisation.
Evaluation 3: What kind of media institution might distribute your media product and why?
What is a production company?
A production company is something that gives a starting point for films and other media. They provide the funding and equipment to help the project begin filming and provide support as the project pregresses. We named our company Stickman Productions as we felt it was something quirky to add to the film. Stickman Productions specialises in action films and is self funded, and aims to bring action and adventure to the younger generation, to inject excitement and panic into their lives through the media.
What is a distribution company?
A distribution company sells the rights to Cinemas and other media broadcasters so that a film can be viewed by the public. Their job is to make sure they distribute it too the right people in places where it will be noticed and seen. The bigger the film and distribution company, the bigger the release of the film. A major company, such as Universal Pictures or Paramount will get the filmdistributed across the world, too many top cinemas. Smaller Independent companies, such as Working Title, will allow the film to be distributed on a smaller scale. We would aim to have our film distributed by a company similar to Working Title, but also could have it distributed on iTunes so it would be available for advertising and worldwide distribution.
Who would fund your film?
Most of the funding would come from the actors themselves, as smaller film funding groups have been forced to shut down. Other funding could come from Film Four which shows movies from all different parts of the world and all types of budgets, so looking for funding from them could be a good help if we shared the rights and allowed them to screen our film on their television channel.
Order of Titles as they appear in the opening sequence
A production company is something that gives a starting point for films and other media. They provide the funding and equipment to help the project begin filming and provide support as the project pregresses. We named our company Stickman Productions as we felt it was something quirky to add to the film. Stickman Productions specialises in action films and is self funded, and aims to bring action and adventure to the younger generation, to inject excitement and panic into their lives through the media.
What is a distribution company?
Who would fund your film?
Most of the funding would come from the actors themselves, as smaller film funding groups have been forced to shut down. Other funding could come from Film Four which shows movies from all different parts of the world and all types of budgets, so looking for funding from them could be a good help if we shared the rights and allowed them to screen our film on their television channel.
Order of Titles as they appear in the opening sequence
- Stickman Productions - production company who helped make the film
- Actor's names - as there was no lead role, the actors were in the order they appeared on screen
- Director - the person who had control of how the film looked and what went on in Pre/Post Production and during filming
- Title of Film
- Cinematography
- Sound - the people that added the sound to the film to bring it together
- Editing Director
- Costume Director
Evaluation 2: How does your media product represent particular social groups?
Our chosen social group we wanted to reach out for was women as we wanted to portray women as equally able to do the job as men. Our team consisted of 3 women and 1 male, showing the contrast in the genders and how they were doing the same task. Women may look up to this challenging stereotype positively, as it symbolises that women are equal to the masculine role. The way we presented our team was that of strong, independent people who are equal in society. The use of mise-en-scene was clever here as we gave the female characters guns as well as the male character to show equality. Films that challenge the "girl power" convention, even if they don't fit into the crime genre, are: "St. Trinians," "Charlie's Angels" and "Battleship".
Evaluation 1: In what ways does your media product use, develop or challenge forms and conventions of real media products?
Our opening sequence used shots which either challenged or developed the conventions of crime films. I have selected a series of screen shots as examples to show this.
Titles:
Spy films tend to have the action of the film incorporated into the main section of the media so we struggled to add this convention to an opening sequence. They tend to apply the text over the film to allow crediting to happen, but not let the narrative be disturbed. We placed the titles above the footage in available spaces that corresponded with the action e.g. actors names appearing as they did. This worked well as it wasn't overpowering the images on screen. The font style we used for the opening sequence was difficult to find at first as we wanted it to reflect a computer code and have a spy feel to it. We eventually decided on the text displayed and chose the colour green to incorporate the computer code idea to the film, developing the convention of the titles used in films such as the Bourne series and Mr. and Mrs. Smith.
Location:
We decided to have a mixture of interior and exterior shots in the opening sequence of Renegade, developing spy film conventions set in films such as Charlie's Angels. We had two different settings we needed to create, an office and the exterior of a house. We used basic equipment and nothing to over the top that would make the scene look out of place. Whereas if we used one of our crew's houses for the interior shots, it would not fit the equipment and style we were looking for. As we did not have the budget or resources to create such an extravagant office or hire a large manor house for the exterior shots, we tried to work the film around this and use our imaginations in the studio to ensure that the audience saw an office set, not a TV studio. The exteriors we filmed at a group member's house, but edited the footage so that the audience never saw how large the house actually was.
Costume/Props:
Typically, spy films have a wide selection of props, such as guns, fast cars, guns which always appear during there films, setting the crime convention. As we didn't have the budget for fancy gadgets and extravagant costumes, we stuck to the "all black, slick spy" convention, developing on images we'd seen in Charlie's Angels. Other props were basic things like tables, chairs and furniture to create the office scene, making sure we got a realistic verisimilitude throughout shooting. The main prop problem we encountered was retrieving guns for our characters to use, so we ended up spray painting toy ones to complete the look we wanted.
Lighting:
The lighting in Renegade proved harder to control than we originally thought. We could not challenge the lighting convention of crime films as most "heists" take place at night, which ours did. After shooting the exterior shots, we discovered that the lighting was too dark and the footage was unusable. After shooting it for a second time, we used a lamp borrowed from the college to supply enough light to illuminate the shots, but still give the impression that it was set at night. The lighting in the interior shots was easier to control as it was a series of lamps we could turn on and off. Spies would not typically turn on the light when undergoing a raid so we tried to keep the shots as dark as possible, only using an overhead lamp to illuminate the frames and make the footage usable.
Titles:
Spy films tend to have the action of the film incorporated into the main section of the media so we struggled to add this convention to an opening sequence. They tend to apply the text over the film to allow crediting to happen, but not let the narrative be disturbed. We placed the titles above the footage in available spaces that corresponded with the action e.g. actors names appearing as they did. This worked well as it wasn't overpowering the images on screen. The font style we used for the opening sequence was difficult to find at first as we wanted it to reflect a computer code and have a spy feel to it. We eventually decided on the text displayed and chose the colour green to incorporate the computer code idea to the film, developing the convention of the titles used in films such as the Bourne series and Mr. and Mrs. Smith.
Location:
We decided to have a mixture of interior and exterior shots in the opening sequence of Renegade, developing spy film conventions set in films such as Charlie's Angels. We had two different settings we needed to create, an office and the exterior of a house. We used basic equipment and nothing to over the top that would make the scene look out of place. Whereas if we used one of our crew's houses for the interior shots, it would not fit the equipment and style we were looking for. As we did not have the budget or resources to create such an extravagant office or hire a large manor house for the exterior shots, we tried to work the film around this and use our imaginations in the studio to ensure that the audience saw an office set, not a TV studio. The exteriors we filmed at a group member's house, but edited the footage so that the audience never saw how large the house actually was.
Costume/Props:
Typically, spy films have a wide selection of props, such as guns, fast cars, guns which always appear during there films, setting the crime convention. As we didn't have the budget for fancy gadgets and extravagant costumes, we stuck to the "all black, slick spy" convention, developing on images we'd seen in Charlie's Angels. Other props were basic things like tables, chairs and furniture to create the office scene, making sure we got a realistic verisimilitude throughout shooting. The main prop problem we encountered was retrieving guns for our characters to use, so we ended up spray painting toy ones to complete the look we wanted.
Lighting:
The lighting in Renegade proved harder to control than we originally thought. We could not challenge the lighting convention of crime films as most "heists" take place at night, which ours did. After shooting the exterior shots, we discovered that the lighting was too dark and the footage was unusable. After shooting it for a second time, we used a lamp borrowed from the college to supply enough light to illuminate the shots, but still give the impression that it was set at night. The lighting in the interior shots was easier to control as it was a series of lamps we could turn on and off. Spies would not typically turn on the light when undergoing a raid so we tried to keep the shots as dark as possible, only using an overhead lamp to illuminate the frames and make the footage usable.
Characterisation:
As the opening sequence could only be 2 minutes long, we could not characterise the characters as much as would have liked to. We stuck to the stereotype of stock spy character and watched James Bond and both Charlie's Angels films a few times to try and mimic their characteristics. We challenged the convention by having a mixed gender team as oppose to all women or a solo male.
Camera Angles:
With shooting an action sequence, we had the opportunity to use close-ups, midshots, and wide shots with a variety of other camera angles. We used an ariel shot when the team is shown looking up at the house, midshots when shooting the main task and low angled shots as they escaped the house, and a low shot when the team drove off in their car. The main series of close-ups we used was when the team react to the discovery of a memory device, and we then edited the close-ups to a split screen, to see them all in one shot.
Editing Transitions/Visual Effects
As the editing suite had more technological resources, we managed to achieve a slick feel to the film, without cuts seeming jagged or sharp. We used fades to begin and end our film, so it did not appear too robust a beginning and used dissolves in between some slides as the camera had shifted slightly so the dissolve helped to hide this filming blunder. The editing of the music had to be disguised so we attempted to blend the song together at some parts to achieve a smooth sound.
Genre/Style
The crime genre could be looked at in many ways, but our sub-genre of spy films made it possible for us to both challenge and develop the genre. We developed the genre by sticking to some of the conventions typically used in spy films e.g. costumes, props, location, but then tried to challenge the conventions of the film using characterisation, including having a mixed gender team, which many spy films do not have.
Construction
Filming:
Week 2: During the second week we began filming the exterior shots at Meghan's house. These were shot using a single camera, which proved hard to control as it was freehand some of the time. The first time we filmed, the footage could not be seen properly as there was not enough light. We had no control over the lighting due to it being exterior shots. We did attempt to make the darker shots fit into the crime genre our film is set in. We also did not have the props ready to film all of the frames so we decided to reconvene later in the week. We borrowed a portable lamp from the college and a tripod to ensure our shots were not wobbly and had a professional look to them. The shot types we used were not absolutely specific to the genre as we used a wide variety, but they helped create the tense, action mood and atmosphere we were aiming to create. Fortunately though, the weather was permitting enough to let us continue filming and did not hinder us in any way.
Editing:
The editing of the film took quite a long time but the process itself was quite efficient. We had filmed cutaways of various things to make the sequence more interesting. Upon editing, we did discover that we did not have the sufficient shots for the film so went back to re-film and then continue editing. The music that plays over the sequence was quite hard to get on as it was not looping in the way we wanted it to but we overcame this problem to make the film better.
Wednesday, 25 April 2012
Scheduling
Tuesday, 24 April 2012
The Pitch
We pitched our opening sequence idea to the rest of the class to gain audience feedback and to find out if there was anything we could do to improve our film and make it more appealing to an audience.
The pitch was successful and most of the class said they enjoyed th efilm idea, with plot and costumes being a recurring positive aspect. The negative feedback wasn't greatly helpful as it was more to do with the way we had pitched the opening sequence as oppose to being about the opening sequence itself. One group suggested we did a comic element to the sequence to appeal to a wider audience and we tried to incorporate that into filming without disrupting the initial idea.
The pitch was successful and most of the class said they enjoyed th efilm idea, with plot and costumes being a recurring positive aspect. The negative feedback wasn't greatly helpful as it was more to do with the way we had pitched the opening sequence as oppose to being about the opening sequence itself. One group suggested we did a comic element to the sequence to appeal to a wider audience and we tried to incorporate that into filming without disrupting the initial idea.
Monday, 23 April 2012
Organisation of Resources
The first thing we set out to organising was costume for the opening sequence. We did extensive research into existing films that fit the sub-genre of spy films that we aimed to conform. This led us to films such as "Charlie's Angels" and "Mission Impossible". We discovered that the traditional attire for spies is nearly always black, tight fitting clothing, so we attempted to add this to our film. We also added sunglasses to add a "cool and suave" aspect to the characters and the female actors wore high heels to make them appear more slick and agile.
Props were also a huge part of our title sequence as they were key in helping to communicate the crime genre and "spy" sub-genre. Typical props used in spy films are guns, sunglasses, gadgets etc. and this was extremely prominent in "Charlie's Angles" and "Mission Impossible." We incorporated guns and sunglasses into our title sequence but unfortunately did not have the time or budget for expensive and complicated gadgets. We used these to develop the spy sub-genre and to remain in keeping with similar films to attract an already established audience.
The location scouting was pretty easy for our group to do as we had locations that we wanted to use already planned. We used the TV Studio in the college to film the interior parts of the title sequence, and Meg's house, a member of the group to film the exterior.
The casting was a vital part of the title sequence as we were first unsure about the type of spy film we wanted to create. After finalising the storyline we decided to cast the 4 group members as the main characters. We were aiming to have the suave edge that Charlie's Angels portrayed and felt this would be better done with the actors we had. We also decided against bringing in extras as they could be unreliable and would disrupt the filming process.
Our opening sequence did not feature any dialogue so a script was not a vital part of the planning for our group. We used the storyboard to help us create a shot list and used that as our main resource and guide when filming, as oppose to a script.
Props were also a huge part of our title sequence as they were key in helping to communicate the crime genre and "spy" sub-genre. Typical props used in spy films are guns, sunglasses, gadgets etc. and this was extremely prominent in "Charlie's Angles" and "Mission Impossible." We incorporated guns and sunglasses into our title sequence but unfortunately did not have the time or budget for expensive and complicated gadgets. We used these to develop the spy sub-genre and to remain in keeping with similar films to attract an already established audience.
The location scouting was pretty easy for our group to do as we had locations that we wanted to use already planned. We used the TV Studio in the college to film the interior parts of the title sequence, and Meg's house, a member of the group to film the exterior.
The casting was a vital part of the title sequence as we were first unsure about the type of spy film we wanted to create. After finalising the storyline we decided to cast the 4 group members as the main characters. We were aiming to have the suave edge that Charlie's Angels portrayed and felt this would be better done with the actors we had. We also decided against bringing in extras as they could be unreliable and would disrupt the filming process.
Our opening sequence did not feature any dialogue so a script was not a vital part of the planning for our group. We used the storyboard to help us create a shot list and used that as our main resource and guide when filming, as oppose to a script.
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